One Story by Emma Briard

Love

Emma stepped off her porch. She was surprised to feel the cool grass beneath her feet, perhaps because she had expected to be wearing shoes, or at least slippers. She didn’t really know how any of this worked. Wasn’t she the one who should be visited, not the other way around? Emma couldn’t complain about her bare feet too much, however, as the grass felt nice, and with each step she took, she focused on the grass more and more. It was soft, cool, slightly damp with midnight dew and altogether lovely. After seventy-eight years of wearing some type of footwear, the feeling of this grass sent a shock of emotion over her as a much younger, spryer little Emma ran out the front door of her mind. The two embraced, and Emma, still a bit dumbstruck, couldn’t help but squeeze the little one back.

“You didn’t wait for me. You’re supposed to wait,” little Emma muffled into older Emma’s belly. She looked up with a sigh. “Then again, nobody is really given a rule book or anything, so I forgive you.”

“Are you really me?” Emma said, still clutching at her younger self. She stroked little Emma’s hair, tied up in the back in a simple ponytail. 

Little Emma pulled away gingerly. She scrunched up her face the way children are wont to do when confronted with a silly question. “I am. Same as you are me.”

“But how?” Emma began to ask, before she was cut off by little Emma grasping her hand and pulling her onward. Best not to ask any more silly questions.

“Come on, then,” little Emma tugged at the much older, much harder hand. “We technically don’t need to rush, but I can’t stand just standing here. Oh wait.”

Emma was pulled back into another hug, deeper, and quieter this time. She stood as statues, each breathing the other in. Emma, who had hugged many, many people in her life as it was a favorite of hers, never felt this kind of feeling before. A whole-hearted affection, an adoration and deep respect infused them both. Whereas she had felt similar emotions towards loved ones in her life, she never had felt herself all at once, and she basked in it. 

“All right then, let’s go,” said little Emma, taking a step back.

Emma wiped a tear from her eye. “That felt wonderful.”

Little Emma had already half-danced half-walked her way to the end of the driveway and onto the sidewalk. Emma followed after, deciding to keep a walking pace. She had a strange intuition of the direction she needed to go, and an image appeared in her mind. A gazebo? 

“Hey, um, Emma?” Emma called after her younger self. “Are you taking me to a gazebo by chance?”

“Mm-hmm.”

She continued down the sidewalk, little Emma always two steps ahead.

“Is there something there for me?”

Little Emma tilted her head upward, thinking. “No,” she finally said. “Why would there be?”

“Oh, well, I guess… well I just thought there might have been a reason for us to visit the gazebo, that’s all.”

“No, no reason really. I just like that gazebo quite a lot. I thought you’d like to join me is all.”

Emma thought for a moment. The image of the gazebo became clearer. Plainly sculpted hedges surrounded it, cream-white painted wood gave way to a dark brown shingled roof, moss and lichen grown over a third of its surface. Inside, the wooden floor, once painted crimson, is now faded to a pale pink. A footpath through the paint ended in a central faded circle. Two cream white benches sat on opposite ends of the gazebo, one facing the passing river, the other facing the entrance. Emma knew it well.

“Remember we used to go to the gazebo all the time? To do our homework, to read a book.” Little Emma’s voice trailed off.

“To get away from Mom and Dad,” Emma finished.

“Yeah, that too.” Little Emma turned and began to walk backwards, her arms pumping back and forth in mock exertion. “Remember the time we climbed up on the roof?”

Older Emma replied, “There was a sign just outside the gazebo that said, ‘no fishing inside the gazebo’, so we got up there and cast our line. I think we caught a fish that day, maybe a sunfish though, I remember being a bit disappointed at that.”

“Yeah, but how disappointed can we be when we’re fishing from the roof of a gazebo?”

Emma chortled, “that’s true. We must have been your age when we did that.” 

Brush strokes of moonlight shone through breaks in the clouds. As she walked, Emma looked about her, taking in the familiar town. Dark trees lined the road as she made her way towards the center of town. Neighboring houses, nestled far back from the road, silhouetted as woodland sentinels, exuded a leering authority. 

The first streetlamp on the main road loomed ahead, illuminating a lone bench situated on a bend in the road. Someone was sitting there, the only distinguishing feature being an amber glow near their face. The familiar bench came into focus, and Emma realized the individual sitting there was her mother. 

“Emma, hold up. Is that our mother?”

Little Emma replied, “it is.”

“I think I need to speak with her. Do you mind waiting for me?”

She shrugged. “Okay.”

The woman on the bench looked to be in their mid-forties, golden-red hair highlighted with streaks of gray.

“You weren’t supposed to find me here,” said Emma’s mother. “I’m not putting it out.”

Smoke trailed up from a trash can a few feet from the bench. The smell was sickening and brought forth a wave of memories Emma had no use for. The memories swirled and coalesced into a singular image, that of her mother sitting in her reclining chair, legs tucked up under her and a blanket coving her from the waist down. A cigarette dangling from her fingers, the smoke rising to a pronounced yellow stain on the ceiling. The only source of light was the dim grey-blue glow of the television, some game show or other flashing bright primary colors and promises of riches into her mother brain.

“You don’t need to put it out,” Emma said. “Can I sit?”

Her mother scooched over, allowing a place for Emma to sit. Neither said anything for a long while.

Emma’s mother flicked the tip of her cigarette against her knee. “What are you doing out?” 

Emma said, “I don’t know, just thought I’d go for a walk. You?”

“Wanted to smell the outdoors,” she sighed.

“I don’t know how you can smell anything over that.” Emma said.

“Is this what we’re doing now? We just gonna be sarcastic and short?” She took a drag and blew it out the side of her mouth. “Come on, you’re, what, seventy, seventy-five? You should be better at this than me by now.”

“I know. You’re right.”

Emma’s mother scoffed, “I’m what? Oh my, I can die happy now, someone told me I’m right.”

Emma closed her eyes flinchingly. “I’m sorry, mom”

“Oh, now you’re sorry? Sorry for what? For telling me I’m right?”

Emma remained silent.

Emma’s mother looked to the road, took another drag from her cigarette, “I’m not putting it out.”

Emma opened her eyes. “You don’t have to.”

“Well there’s something new.”

“I’m sorry.” Those two words held all the meaning they needed, and they both felt their impact. After all the hardship her mother endured from her own father; kicked out multiple times for the smallest offence, each time wandering the streets of Manchester, in search of a payphone for her aunt to pick her up. The last time ended with two men finding her, dragging her into an ally. Then she married dad, had two kids, and gave up on her dream of becoming a hairdresser, for the kids she never wanted. All those hollow nights waiting for Dad to come home from work. Home from the bar. Home from his self-medication. Just home. She craved an intimate connection with the person she fell in love with, but never was able to see the chained up box that was his emotions. Both of Emma’s parents did the best they could with what they were taught. But what they were taught was caustic. All parents like this can only bleed on their children. The criticisms and condescension, mockery and conceit, constraint and belittling. These were her mother’s to endure from her father. Always never enough. Always silenced. Always numb. Emma stood and opened her arms wide. “Come on, Mom.”

Her mother tapped her cigarette and peered up at her daughter, maybe thirty years her senior. She stood and embraced her.

“I love you, Mom.”

“I love you too, sweet.”

Emma pulled away, and the face she beheld was no longer that of her mother. The face was now her own. But not the child; an older Emma, that of when she was a teenager.

“She’s slowly killing herself and you just make nice with that?” Younger Emma tore away from her older counterpart and backed onto the street. “She can’t put those fucking things down, Emma! Her fingers are turning yellow, she hacks up a lung every morning, the house reeks of smoke, and she never moves from that chair!

“That’s not her fault.”

“How do you figure that one?” Emma crossed her arms over her chest. “How is this not her fault?”

“She did only what she knew. Those gave her a comfort she couldn’t get elsewhere.”

“Maybe if she focused more on her family instead of those cigarettes, she’d have found that comfort.”

The telephone wires above the road reflected an oncoming light.

“What family, Emma? Our father was gone most of the time, and when he was home, he was drinking, playing some game, or sleeping. He denied her that comfort. He hated her smoking as well, shamed her for it every chance he got, because that’s what he thought teaching was, because that’s how he was taught. She cried every night on the couch because of him. And we took his side.”

The traffic lines on the road began to brighten.

“We knew how bad cigarettes were, we knew how deadly they were, so we saw what he said to her as coming from a place of love. We were so caught up in the idea of losing her to lung cancer that we ignored the cancer in her marriage.” Emma reached a hand out to her younger self, “Now please, get out of the road.”

Younger Emma remained still. “Dad was too busy working his ass off, keeping a roof over our heads, too tired all the time to do much else about it. All Mom had to do was make dinner. She barely even had to clean because we did most of that!” Deep lines cracked her face as tears flowed through them. “How dare you take the side of that lazy bitch!”

Headlights appeared, cresting over the horizon of the road. 

“Emma, please get out of the road!”

“Remember when we were four and she tied us down to our bed to make sure we wouldn’t get up? What fucking excuse does Mom have for being so cold?”

“She didn’t want kids. She didn’t want us. Motherhood was hoisted upon her, she did only what she knew. Come here, Emma, I love you, just please! I forgive you!”

“I don’t want your forgiveness.” The car took her.

The car halted, its red brake lights flaring and then fading back as the white back up lights turned on. 

“Come on in, Emma.” Her father shouted out the driver’s window.

Emma stepped around to the passenger side and got in. 

“I heard you were walking to the gazebo barefoot, and I thought I’d give you a lift.” Her father, appearing in his late forties set the car in drive and sped away. “I can’t really say you’d catch your death of cold or anything, but I thought you’d enjoy the ride anyway.”

“You know you just hit me?” Emma said.

“What? No, I just picked you up. Look in the back.”

Emma twisted in her seat and found herself staring back. She was older, early twenties, perhaps.

“I don’t know why he bothered. I was just walking down the street, and I never asked to be picked up, but here I am. Just like everything else in life, I don’t have a choice in the matter. Not like it matters much anyway.” 

Emma’s father gave her a tight-lipped smile, said, “I’m glad you grew up.”

“Thanks dad, love you too,” she said from the back seat.

“All I’m saying is that you were a bit much to handle back then. You never stopped thinking, which is good, don’t me wrong, but, you never stopped thinking about the negative. You’d think and think and think on one topic for days, and then just stop once you found what you were looking for, which was always negative. I’m just glad you eventually started to see the positive.”

Back seat Emma was silent. They were all quiet for a while. The muffled roar of the engine was the only sound she heard. Older Emma flicked her attention to the rear-view mirror every few seconds just to make sure she was still in back. Each time she glanced, she was met with a hard stare.

“You’re dead, Emma,” her younger self said.

“Emma!” yelled her father. 

“I already knew that,” she interjected.

“Still, I was hoping to keep this ride nice and positive.”

“Death sounds pretty positive to me,” mumbled younger Emma.

They all lurched forward as her father slammed on the breaks. A station wagon cut in front of them with a screech, but merely crept forward, going maybe 10 or 15 miles per hour. Emma’s father rolled down his window, leaned out fist first, yelled, “fucking whore, go home and die on your own time!” 

Emma knew from years of experience that this is what he would have finished saying, had he not caught a glimpse of the driver. Emma saw only after she noticed the sick grimace of fear in her father’s expression. She could see, from the reflection of the station wagon’s side mirror, that this asshole was in fact much worse than any ordinary traffic jerk. This was her grandfather. 

He died before Emma could ever know him, but he appeared just as she had always seen him in the portrait left on her father’s desk. All she knew of him was the psychological tragedy he left behind in her father. A monster of a man, her grandmother told her of the many women he would molest and rape while working as a city bus driver in Manchester. He’d wait till his shift was nearly done, and if there happened to be a young woman still in the bus, unattended, he would park the bus somewhere in the darkness of the city. After he got home, he would ignore his wife, if she were even home from her job at the hospital, find his son and beat him. It didn’t take much provocation. Emma’s father once told her, while cutting grass with the push mower, he had stopped to take a break from the summer heat. His father saw this, grabbed a shovel, and slammed his son to the ground, kept on pounding him on the back as his son went fetal. On the best of days, Emma’s grandfather would only demand his son clean his feet.

After returning from his station overseas, Emma’s father came home to see his family for the first time in over eight years, only for his father to try the same old tricks. This time, he was the one who was beaten. He never interacted with his father ever again, until he died on Emma’s fourth birthday. But from her own broken upbringing, Emma never thought the revenge her father reaped against his own father amounted to anything close to closure. 

The door slammed shut before Emma could register her father’s absence. Young Emma left as well, leaving Older Emma alone in the car. She watched as her father yanked open the driver’s side door of the station wagon, struggling with the driver as he attempted to pull his father out. Young Emma ran to her father shouting and pulling the back of his shirt. He swatted her back, Young Emma stumbling back a few steps, granting him enough time to pull his father free and slam him to the ground. 

Emma’s father straddled her grandfather, old but not elderly, and gripped his throat. Her father screamed, letting loose all the things he wanted to say to his father, but never had the chance to; never chose to in living years. It all came out with a lurch of sound, berating the older man incoherently, her father’s anger poisoning his ability to speak.

Young Emma regained her footing and launched herself at her father, wrapping her arms around his neck to pry him off. Releasing one hand from his father’s throat, he reared back and wrestled Young Emma’s arms off him and tried pushing her back once more, but Young Emma was better prepared this time. Her fist connected heavily, knocking her father onto his side, freeing her grandfather. 

Older Emma’s head snapped back in time with the hit. It was happening again, all over again. In an instant, the memory of her father pinning her mother onto the bed, shouting, her mother pleading that it hurt, Emma wrestling her father off, punching him across the jaw, being thrown to the ground and pummeled in return. Older Emma, still in her seat, looked beyond the fight in front of her and saw, one after the other, station wagon after station wagon pulled onto the road, as if on cue, her grandfather at the wheel. This would never end, unless she did something. 

Older Emma stepped out of the car, shouted, “Emma! He can’t stop himself!”

Younger Emma looked back towards the car just as her father stood, reached down and grasped Emma on both arms, shoving her backward. She stumbled and crashed to the ground. Emma’s father turned back to her prone grandfather, red-faced and whimpering. 

Older Emma ran to Younger Emma, knelt next to her. “Don’t try to stop him. He never regretted this all his life. He never changed. He never knew how.”

“But what about him?” Younger Emma cried. “He’s gonna beat him to death!”

Older Emma looked on as her father beat his. There wasn’t much of a face left on her grandfather. Most of it was blood covered, and the rest was swollen purple. She heard a snap, and idly wondered if that was her grandfather’s cheek bone shattering, or her father’s knuckles. 

“Would that be so bad?”

Young Emma drew in a sharp breath and exhaled a clipped, “yes.”

“You’ve been told by now who that man is. I hear each punch as justice for each of those women on his bus. Each grunt as a rhythmed apology uttered in equal cadence to what he did to his son. There is one other thing he’s done that you don’t know yet. This father, our father you see here, knows what else his father did. And that is why he’ll kill his father, and each one after this.”

Younger Emma finally saw the other station wagons. None has moved, all just idling in the street, going on for as long as the street. 

“Let’s go for a walk. There’s somewhere I need to be anyway.”

Emma helped herself up and embraced shortly before moving onto the sidewalk to continue her journey to the gazebo.

“Don’t look back,” said Older Emma. “It’ll never stop. And for what it’s worth, I don’t like this any more than you do. While I don’t feel much empathy for our grandfather, I do for our father. This is detrimental to his mental health. He shouldn’t be doing it, even if his father deserves it. And as much as it hurts to see this, know this is not your fight. It is not your responsibility to heal our father, or save him from this behavior. It’s not your responsibility to fix him. Understand where he’s coming from, why he became the person that he is, and use that knowledge to engender a sense of empathy towards him. Then you can choose to forgive him or not. That’s up to you.”

“Did you forgive him?” 

Older Emma walked in silence for a time, and it was only once she spoke did she realize she was holding her younger’s hand. “I did. But that doesn’t mean I condone or excuse his behavior. I simply understand why he acts this way. That understanding allows me to move on with my own life, eliminates the “why mes?” and the “if onlys”. And it also allows me to see our father’s growth. Being raised by a man like that, attending a military academy and later serving eight years overseas, it’s honestly remarkable how he turned out. He’s certainly better than his own father. And then that in turn grants me the perspective to see that we can learn just as much from the people who abuse us as the people who don’t. I learned quite a lot from our father. Mostly how not to act.”

Younger Emma squeezed Older Emma’s hand tightly, then let go, and was gone.

Emma moved through the town as if pushed by the wind. It directed her, kept up her pace, and in doing so relieved her anxiety over moving forward. The night sky had gradually clouded over, and a light snow had begun to descend. The wind whipped up and the snow, faster, fell. Soon the sidewalk was covered in heavy globs of snow. It built up around the streetlamps, a halo emerging from the light. Below one such halo, seemingly blown in from some incorporeal somewhere, stood Emma’s brother.

“Hey, little bro.” 

Emma stopped, head churning, heart pounding. She knew, somewhere deep inside she’d have to come across him at some point in this… place. It was a matter of time. Process of elimination. Diminishing returns. Long dead memories pierced Emma’s skull, as a ghastly silver mist erupt from beneath the crack. Lightening shot through her mind and struck Emma to her knees. She couldn’t breathe, couldn’t see, couldn’t think, couldn’t move. A single sight of him laid her to waste.

“Jesus, you’re a mess. Fuck, all I said was hi. You really can’t stand a ‘hi’ from your older brother now? I was hoping we could at least talk, but I guess not.” 

An icy wind blew in, tossing fat flecks of snow into Emma’s face. The mist over her head coalesced into a dark burdening cloud, swirling, quicker than the wind. A shape emerged from within the cloud, that of an older, wiser person than the one who birthed it. The shape grew larger inside the cloud, pushing and straining against it, it’s movement akin to a fetus, until the grey smear could no longer contain it. The figure stepped out, pushing the cloud aside like a curtain. A cane clacked on the sidewalk. Emma crouched next to herself, laid her hands over her head where the crack was still open and hissing, and kissed her temple. Suddenly, the Emma brought low by her brother was gone. Only herself remained.

“You haven’t been my brother for many years, nor am I your ‘bro’.” Emma crooned 

“So you’ve said, but I don’t need your melodrama. I just want to talk.”

Emma said nothing.

“Okay, I guess I’ll start.” There was a long pause of defining silence. A feeling of superiority grew within him, like a rising tide and Emma wondered if she would be taken back with it. “Mom and dad divorced after you moved away. They hated what you did to yourself, everyone did honestly, but they didn’t agree on why they hated you. Mom had her religion and Dad was just… Dad. You broke them. Do you realize how it felt to be stuck in the middle of that? Do you understand just how much damage you caused and people you hurt? All for,” he gestured vaguely at Emma, “this?”

“I do understand.”

“Then why the fuck did you do it? Just because you feel a bit sensitive doesn’t mean you can just abandon your family.”

“All I did was become who I always was. All you and our parents had to do was change your minds, accept me as their daughter. I set a boundary for my own safety and mental health. I did nothing wrong.”

“Fuck you. Tell that to mom and dad, but you’ll have to explain yourself twice, because they live about two hours from each other.”

“Good. They should have divorced long before this.”

He shifted. He was now the age at which they had last spoken. This James was different from the previous one; vulnerable, pitiable. Purposefully so. Emma had seen this side of him many times. It was the line he would cast to always get another girl. The lure, like a name painted on the side of a bullet, read “fix me.”

“I’m having a hard time right now. I’m sorry for what I said about her. Honestly I don’t know where I’d be without you both. I love you both. I’m sorry bro.”

Emma heard, without speaking, “if you’re having a hard time, then go see a therapist.”

“Yeah. I’m going to. But I also just wanted to talk to you because I do wanna talk things over and smooth everything out. Mom told me about your back too. I’m sorry to hear about that. Just know I love you.”

“We can talk if you want me to explain my reasoning to you, just know that our situation won’t change.”

He grimaced, “For you to be that cold. Na, I’m good then. It won’t matter because I apparently still won’t have a brother.”

Emma said nothing. 

“So is that what you’re saying? You’ll explain how you feel but I’m not going to see you or basically have a brother?”

“Yes.”

“Okay. Fuck you, bye.”

But he remained. Emma realized this conversation was a text chain. The last they had together. 

“Hey, little bro.” 

And it began again.

He never did let go. He never stopped trying to ease back into Emma’s life. He used their parents against her, appearing to them as the good son, reinforcing their doubts and anxieties about Emma’s choices. Joyful to talk with, easy to forget his nature. Emma never forgot what he did though. Who he was. She knew this was an act, an attempt at persuasion, with intent to manipulate. He gaslit those close to him; a necessity to maintain the fragile image he wished to project. All Emma’s attempts to explain what he did and who he was to their parents was thus moot. No amount of words could convince them, and so, Emma distanced herself from her family, as her brother became the gatekeeper. 

Emma did what she knew. She continued to walk. She had nothing more to say to him. In another age, in a younger self, James consumed her thoughts and dreams. Fear and anxiety, along with the occasional panic attack remained for years after she broke contact with him. Daydreaming, fantasizing arguments with James and sometimes their parents crowded her mind, and none of them ended the way she wanted them to. All they did was cause her more anxiety, catastrophizing every family gathering, every potential interaction. His presence, his very existence became a miasmic cloud, following her even into her dreams. He maintained his power over her, despite the boundaries she set and the distance between.

She realized much later, in order to break his hold, she had to let go. Her parents, she could understand, empathize with and forgive. There was very little she understood about her brother at his core. That unknown gnawed on her brain, till she realized it wasn’t worth it. He wasn’t worth the effort. Of course, knowing and feeling are two different things. It took time, as things always do. Recovery is a process, sometimes a lifelong endeavor. But in time, he gradually faded from her mind, like a gentle breeze scattering his cloud across the earth. The things he did to her and to others she saw would never leave her memory, but he no longer had control over those memories.

With each step, Emma heard a crack, like an ice cube dunked in warm water. She never heard him shatter, but she could feel it. 

Ahead, a light loomed. Atop a hill, the gazebo stood. And inside the gazebo, Tyler stood also. Emma had not expected to see him, but in her old age, even a surprise was mundane. Her old bones may be brittle, her muscles may be strings, but her resolve was iron.

Emma’s cane made a resounding tap against the wood steps of the gazebo, and she relished every movement. She finally felt at ease, her mind matched her body, and her age matched her mind.

“Hello,” Emma crooned. “What’s all this then?” She waved her cane in the air, knocking the noose hanging from the center of the roof.

Tyler looked bemused. “Well, it’s what we wanted right?”

Emma laughed, a drawn-out rasp. “Oh no, no. This is what you wanted. Not I. I’m perfectly content, thank you.”

“But we’re not happy. We hate ourselves. We can’t get away from ourselves. We’re always with ourselves.” Tyler took hold of the noose, framed his face with it. “This works.”

“You may hate yourself, but not me. I found who I am long ago, and who that is isn’t you.”

Emma looked past Tyler, to where a little girl, maybe six or seven, sat on one of the two benches of the gazebo. She sat there, bare feet planted to the cool wood floor, her elbows locked at her sides, a gentle smile playing across her lips. 

“You do what you think is best. I can’t tell you what to do with your life.” She trained her eyes on Tyler’s once more. “But I’d rather you didn’t. I have quite a few fond memories of you, you know.” She smiled that same gentle smile. “There’s something I need to do now. Maybe you could accompany me?” Emma weaved her arm through his. Little Emma stood and held her elder’s other hand.

“Ready?” Asked little Emma.

“I am,” older Emma replied, pulling Tyler in closer, shoulder to shoulder. “We both are.” 

 

Emma Briard is a nature lover at heart, who pulls inspiration for their writing while reflecting on life and the world around her from the solemnity offered by a walk in the forest. Working as a custodian also has its perks, mainly solitude, allowing ample time for thought. She has published three other stories in the Monadnock UndergroundKnocking,Dear Internet, and What Ends May Bring. Emma lives in northern Massachusetts with their queer spouse, their normal cat, Addy, and their maddening dog, Cooper. 

Three Poems by Thomas Hobohm

Stop Calling Me Smart and Have Sex with Me Right Now

I like running I like scissors I like blood I like it everywhere I like lying I like a good story I like my hair I like inhaling it I like choking I like to gag I like to yank I like the strands I like my esophagus I like self-control I like a soft pillow I like a warm bed I like hard literary drugs I like the rain I like the disgusting sun I like a clear sky I like lightning I like the public toilet I like Market St. I like the cage I like my body I like to beat the shit out of it I like coke I like a black toilet I like discovering new techniques I like torture I like the third floor window I like jumping I like two broken legs I like to choose my own adventure I like to strut around shirtless I like it rough I like you Now when are you going to break my heart I like you When are you going to I like you When I like When are you going to break I like you to break my heart When I like you are you going to break my heart When I like When

 

I Did It All for Love

Seriously, I bought reference books
on flowers, birds, and cacti,
because I wanted to write poetry
that felt real, like the greats,

those disgusting men.
When I read Rimbaud,
I googled each awful plant
and tried to draw it in the margins.

God, it’s a beautiful world,
but nobody taught me
how to name it, as a child
without vocal cords

I admired everything and
didn’t care for symbols.
Now, the same lukewarm words,
always the green trees, pretty flowers,

white snow, bright sun, tall shadows,
love, death, grief, joy,
and I, I wish it all
added up

to something.
I wish you, reader,
saw your reflection here
and found it unrecognizable,

how I felt the first time
I read Natalie Diaz
with a dry mouth and
geckos all over.

 

New Year’s Eve, 2022-2023

It’s a grimy elevator. Quick,
get in. You’re serving so much cunt
I’m scared, it’s terrifying, I’m shaking
in my black leather boots, genuine 4-inch heels,
half my size, but who’s counting? Now
gay men of a certain age take sports
seriously, too seriously for me,
I just lift weights and shower
with a bottle of muscle milk, brown chocolate
running down my chin, cutting the steam. I walked
backwards into all my deepest desires,
that’s how I ended up here, lost
in a nightclub so unfathomable
it even has an elevator! A godsend, can’t take
the stairs in these platforms,
you know how it is. I’m dancing so hard
that all my limbs, but especially my right instep,
hurt like hell. If I can do this, couldn’t I
play tennis, too? He’s obsessed with it,
I’m obsessed with him; it just makes sense.
But he likes older guys. He likes older
guys. I could take tennis classes, I could
go to a camp, it wouldn’t matter.
I’m so far gone. This DJ is great. I’m
getting stronger every day.

 

Thomas Hobohm (they/them) lives in San Francisco but grew up in Texas. They never learned how to drive. They like playing volleyball and watching old movies. They have work published or forthcoming in So to Speak, just femme & dandy, and Stone of Madness.

Memory Holds by Kwame Sound Daniels

in conversation with Makshya Tolbert’s Becoming Water in Emergence Magazine

Water was always something I was immersed in. Water held me. Water was me. A bathtub the shape of the human body. In the body, a small ocean.. 

Water holds memory. I know that. I can feel it in the automatic way my muscles expand and contract when I dice garlic, when, even after becoming disabled, I know instinctively how much coriander goes into lentil soup. Water knows. I know. It’s in my mouth, my veins, my eyes.

Brains are elastic because they are water. Water holds memory. The brain cradles that memory. The brain tends to it. Sometimes, if the memory is too much for the water to hold, the brain does not hold it. The brain cannot contain it. But my brain has always held too much. There hasn’t been enough room for me to be. The memory is all that there is.

I am memory because I am water. I am a composite being of reactions. That is all knowledge is: memory and reaction. Water is flexible. The brain is elastic. If you set your finger upon the surface of a pond, it will ripple until the water remembers the shape of your finger, and then it is like it has always known your finger, it has always been that your finger was there. That is because water knows itself. /

Water is flexible. It settles where it must. It finds places to fill naturally. It has a course. Toni Morrison spoke about the way the Mississippi river flooded. Water remembered where it always was, and so naturally tried to return. My people are made of water. We are always trying to return. In Toni Morrison’s Song of Solomon, the protagonist flies. That is because he is made of water. He rises with the clouds. Despite how he fucked up, he belonged in the firmament where the ancestors escaped. My people belong in the atmosphere, refracting light through our water droplets, melding together and coming apart and floating and being carried —-weightless. We deserve to not have to carry this weight. But water holds memory. So it will always be with us no matter how much the wind carries us.

Sometimes, our hurt is like a pressure-cooker. The water boils and builds until the memory is locked inside us, until we are bursting with the heat, until we cook and cook and only find release in outbursts. That is how my water was. My water would boil. I would burst. I would scream. My heat was hurtful. I burned to touch. Others burned me when I was touched. That is how it feels to be held, even now. Because my water remembers the heat.

My people drowned in the Atlantic. The Atlantic carried my people. The Atlantic remembers us. We are in the water until the end of the earth. We are carried in the ocean’s denizens, and the ocean’s denizens are consumed. How many of my ancestors have I eaten? How much does my body remember of their pain? Water holds memory. My people know me. My body knows my people. Maybe this is why I feel bugs in my skin: my water remembers their infestations. I am being haunted by my ancestors’ water. I no longer eat fish.

I feel not-quite-here. I feel empty. I feel full. My water holds too much. My water doesn’t have room for me. I keep thinking of the way I can’t think when I’m like this. Like I’m out of my body. Like I am a cloud and my skin is transvective. When my hands touch something it’s like an intrusion, and they have to adjust before they remember what touch is. My hands on my own skin burn. That is because my water remembers the heat. 

Sometimes, the water gets to be too much. The dragging of my own nails across my skin burns. But I itch. Because my skin won’t retain the water. Because the water gets to be too much. Because the water holds memory and my brain won’t forget. I remember everything except sound. I cannot retain sounds. Water doesn’t hold sound well. To remember a song I have to listen to it over and over again until the ripples in my water remember the rippling. I remember everything else. Everything.

I remember what it was like to be in love. I had never felt anything like it before. It was like being at the bottom of the ocean and knowing the water around me would protect me just as easily as it could crush me. It was like all the sound in the world was muted. My feelings ran deep. Undisturbed. They ran warm and cold. And then they didn’t run at all. My feelings sat there, inside my depths, until the water dissolved them. Because my water remembered all the hurts that came with feeling. And there was more hurt that my water could hold than love. It fell out of me, that love. It drained away. And I was left feeling like I had awoken from a dream. But I remember what it was like, to be in love. I’m not sure my water will ever have room to carry that feeling again.

But I love my people. My people-in-the-water. My lost family. I can’t not love them. Because my water knows their water — listen! Do you hear that? My water is moving. It’s too full to slosh. But you can hear the vibrations, can’t you? Can’t you?

Water holds memory. Water holds me. I never drink enough water. I think that’s because I have too much. I salivate so easily. If I hold my mouth open it drips. It falls from me. No matter how little water I’ve drank. I think I am an endless well of water. It’s all the memory I can’t talk about trying to escape.

Listen. I know what you’re thinking. How can you remember everything? But I can. I remember my birth mother’s arms around me. I remember the first night I had robitussin. I remember when another child irrevocably changed the course of my life, made too much memory for my water to hold, even then. I remember the floor was damp. It was a grimy bathroom. I remember. My water knows it. My body knows it. That’s why I am a cloud in a shirt. That’s why I float away. Because I am trying to return. And I want the wind to carry me.

 

Kwame Sound Daniels is a traditional and fiber artist based out of Maryland. Xe are an Anaphora Arts Residency Fellow and an MFA candidate for Vermont College of Fine Arts. Xir first collection of poetry, Light Spun, was published in 2022 with Perennial Press. Xir second book, the pause and the breath, was on Lambda Literary’s Most Anticipated for January and came out in 2023 with Atmosphere Press. Kwame learns plant medicine, paints, and makes what can tentatively be called potions in xir spare time.

Illogical Propositions by Jade Wallace

when solutions are concessions 
to a hegemonic logic, nonsense 
may become a necessity 
I want to be a creature 
inscrutable to a computer 
1 w@nt to be a code so 1nconsistent 
that it’s nothing but 1ntuit1on


if a = a
and ~a = a
(because sometimes @ = a,
though others @ = @)
then there’s no way to know
what a or @ signify
and the only way to
sense their m3aning
is 2 throw two @pples into the air
knowing you will never
get them back


let’s pink slip the light fantastic 
slapdash off of every last 
matchmaker platform and 
incongrue their mim3tic 
magnet1c patterns 
let’s refuse to be fractions 
held together by multiple 
diffuse dependencies 
we’re a euplastic prec@ri@ 
one evolutionary step away 
from the prokaryote, having 
grown up in environments 
made for extremophiles


because if I = I
and ~ I = I
(for instance when 1 = I,
though not when 1 = 1)
then I becomes 1 and
1 becomes indivisible

 

Jade Wallace (they/them) is the reviews editor for CAROUSEL, co-founder of the collaborative writing entity MA|DE, and the author of the debut poetry collection Love Is A Place But You Cannot Live There (Guernica Editions 2023) and the collaborative poetry collection ZZOO (Palimpsest Press, 2025). Keep in touch: jadewallace.ca.

You Already Forgot by C. M. Green

So what is the future again? Every time I think I know, it comes, and then it isn’t the future anymore. It’s not stable, just like me.

I have six questions for you:

  1. What do you remember about year three?
  2. What do you remember about your favorite aunt?
  3. What do you remember about him—yeah, him, you know who I’m talking about.
  4. What do you remember about your thirty-second birthday? Do not tell me it hasn’t yet happened. Just tell me what you remember about it.
  5. What do you remember about the kitchen growing up?
  6. What do you remember about me?

Why bother with memory, when we’re thinking about the future? 

Let me tell you what I remember: I remember seeing my reflection in a doorway in a Church and calling myself a dyke in my head. I remember looking at David Bowie as Ziggy Stardust and wondering what, exactly, I wanted. I remember shoulder blades on older women. I remember getting married in a pale blue suit. I remember dying in a train because it seems like the most fashionable way to die.

I have legs. Two of them. Today I scrambled up the side of a mountain and they burned. Tomorrow I will scramble up the side of a mountain and they will burn. Do you hear me yet? Does your body hear me? Listen to your fingernails as they tap on the keys and ask them what they remember. What is memory to a fingernail? What is memory to you?

I don’t think I believe in the future, actually. Actually, I don’t think I believe in the future. Five minutes ago the screen I’m staring at was blank, and I remember that, but I don’t remember what I’m going to write next. 

I remember being a girl. I remember not being a girl. I remember trying on my dad’s suits for the first time and I remember chopping my hair off in a dorm bathroom. I guess what I’m saying is that I don’t think my gender is anything but memory. Echoes of ways I used to feel. Legs burning, mountains climbing mountains. Shoulder blades and Ziggy Stardust. Like flowers in a vase.

I don’t think I believe in the future, but the past hasn’t broken free yet. It’s trying to, and then I guess I won’t have a past to believe in, either. I’ve lost harder things than that. I’ve lost memories before.

 

C. M. Green (they/them) is a Boston-based writer and theater artist with a focus on history, memory, gender, and religion. Their work has been published in fifth wheel press, Bullshit Lit, and elsewhere. You can find their writing at cmgreenwrites.com.

Some day we will home by KJ Cerankowski

KJ Cerankowski is a queer writer based in Cleveland, OH. His poetry and prose appear or are forthcoming in DIAGRAM, Pleiades, Gordon Square Review, and Sinister Wisdom, among others. He is the author of Suture: Trauma and Trans Becoming, a critical lyric memoir published by punctum books.

Promised Land by Min Straussman

The thing is, I expected to start at the beginning and go to the end, but that wasn’t the way it worked out at all. As it happened, I woke up under a bush about a third of the way through events. The inciting incident was over. How had I arrived at this point in the timeline?

The desert stretched out for miles in every direction. I stood up, brushed myself off, and looked for the future. I stared off into the distance, thinking maybe I would find it past the horizon. I had forgotten that the future is simply a conjugation of being.

I had read stories of my mythical ancestors wandering the desert along time, but I didn’t expect that I would wind up there myself. I had believed this sort of thing was behind us—the excess of hours, the sand scrubbing everything smooth, the hermaphroditic flowers (Tamarix gallica) falling from the sky at regular intervals. Manna sounds an awful lot like “man up”.

I vagabonded, peering at the few birds flying overhead to see if their auguries were good.

One morning, splayed out on the sand dune, gasping for breath, I realized what it was that held me there—the misconception that one goes ahead to the future. Bearded vultures circled while the sun hit me with a slow, steady rhythm. The star and the sand had much to say to one another. I screamed at the rocks, “The future is only a movement toward existence!”

The cries of a hoopoe and a crow cracked the silence from the west. A woodpecker and a magpie echoed from the east. Thus, the word went out, and I went for a walk, tracking the signs. I found the muddy, looping creeks and followed them to the past, to the present, and back again, as more birds gathered overhead.

I think I almost see the outline of the future. Mirage or not, the being that is to come shimmers in the heat, waves.

Now, I throw out chicken feed and watch the hens dance so hard grass cuttings fall to the ground in sheaves. I push my sandals into hot sand. It’s only a matter of time.

Min Straussman is an essayist, poet, translator, and educator living in Paris. Since 2017, he has been a regular contributor to Dictionary[dot]com where he writes about etymology and language. His work has also been published in Impossible Worlds, Hey Alma, and beestung, and he has a book forthcoming on Paris, Walter Benjamin, and the connections between kabbalah and the urban environment. He is fascinated by the fragmented, the esoteric, and all things related to his hometown of Pittsburgh, Pennsylvania. You can find his work at mintherose.com or on Twitter @mintherose.

QUIZ: What’s your 21st century Seattle name? by Aaneoo )(

As trans people, we have long been known for our distinctive, self-selected names. But until last week, we had no idea just how far back this tradition went. In their new book, Tales from a Lost City, a team of archaeologists from the Coastal School describe what they have learned from a decade of studying remnants of an ancient city. At first, the sunken site, located about ten miles off the coast of Lupine, was simply termed #01053. More recently, the team has discovered the city was once known as Seattle. 

The book’s third chapter is dedicated to the stories of transgender residents. Merging conclusions drawn from classical transgender studies with new information gleaned from notes taken during Seattle meetings, scholar Nimelua +@ gives new life to the struggles and joys experienced by the attendees. You can order or download Tales from a Lost City at your nearest salon. But, before you dive in, you may want to prepare yourself for some of the… unique names used by our Seattle ancestors. Just think, if you had lived way back when, you probably would have called yourself something equally ridiculous. Find out which moniker would have suited you best using this handy quiz! 

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

    1. When invited to a party at the community pontoon, how do you respond?
      1. Your leaky shoe excuse
      2. “The feeling is natural—to want what we can’t have”
      3. “I haven’t forgotten my special sailor hat ;)”
      4. “The sea spills its intimacy upon each and every shore”

         

    2. Which best describes your social life during Aquaponics Internship?
      1. Though friendship may outlast a tomato, a tomato can be eaten
      2. Harvests leave the herb garden, but secrets stay 
      3. The smell of fish food still turns me on
      4. I’m as gay as a summer day is long

         

    3. Your roommate likes to sleep with the floorlights turned to green. You prefer them pink. How do you navigate the disagreement? 
      1. Every night a masquerade
      2. We step our dueling dance
      3. In sharing we hold together pleasure
      4. In balance, the perpetual risk of a fall

         

    4. The insect catcher at your area market is overcharging you for mealworm meal. What do you do?
      1. Absence is a slippery shape with no sides
      2. A razor with no edge
      3. A lesson learned well is never a lesson learned once
      4. The teacher’s hand spells its own audacity

         

    5. If selected for space training, how would you use the opportunity?
      1. Dreaming of distance
      2. My skull light on my spine
      3. Such a terrestrial pleasure
      4. Connoting up with divine

         

    6. Say you had a night alone in your podlon at age seventeen. How would you spend the time?
      1. I rely upon my treatise of niceties 
      2. The pages consolingly quilted
      3. To soak a spill or spark a fire
      4. Nature didn’t intend shit

     

  1. How to convert your answers to points: 
                 a=1
                 b=2
                 c=3
                 d=4

    Total points for questions 1 and 2: ______. Circle LOW for 4 or lower. HIGH for 5 or higher.

    Total points for questions 3 and 4: ______. Circle LOW for 4 or lower. HIGH for 5 or higher.

    Total points for questions 5 and 6: ______. Circle LOW for 4 or lower. HIGH for 5 or higher.

    YOUR RESULTS:

    LowLowLow: You’re a veritable Kat! Always one to tag along when asked, you rarely behave in an expected or socially acceptable manner. Put in the context of a 21st century university student, for example, you often spent afternoons at raging backyard parties surrounded by your classmates. While your peers chugged warm, tasteless alcohol as part of their masochistic games, you sipped at yours as you turned the pages of Deleuze and Guattari’s A Thousand Plateaus, not because it was assigned reading (you rarely completed any of that junk), but because it personally, and spiritually, interested you.

    LLH: Hi, Kai! You haven’t met many people in your town, but a lot of people seem to know about you. Back in your 21st century life, you didn’t typically spend your free evenings hanging out with your small group of friends. Instead, when 11:00pm struck, you left your house fueled only by caffeine and a bowl of dry cereal. You rode transport across town, listening for the club that was playing their music the loudest. When you found it, you flirted your way inside without paying, wiggled to the center of the dance floor, closed your eyes, and gave yourself up to the bass. You never wondered who was watching, or whose hips were grinding against yours. 

    LHL: You’re certainly a River! A maker and shaker, within the comforts of your own head, that is. During your 21st century existence, your most vivid dream had you working as an airplane pilot, experiencing a rush of blood to the head as you pointed the nose of the propeller plane into the sky for takeoff. That morning, you brewed your tea as you watched your neighbor weed the garden. Then, you sat down to research how to acquire a pilot’s license. But the license wasn’t for you. No, your stomach could hardly stand being a passenger on a large commercial jet. You were a songwriter working on a concept album, and the narrator of your in-progress song was going to make a great pilot.

    LHH: In this case, your name is Case! You love to dig your fingers into a new project, don’t you? In the 21st century, you could’ve been a mechanical engineer with a hankering for a private woodshop. But your home didn’t have a garage, or much of a yard either. You took to using the front stoop, sawing and sanding away until the entrance had been blocked with wood scraps and sawdust. Your entire household switched to using the back entrance until your roommate’s date took it upon themself to give you a lesson on responsibility. After that, you dutifully swept up after each session, though you couldn’t help from continuing to make loud noises at odd hours.

    HHH: Hello, Ash. Nice to meet you! Sorry to say that in the 21st century, you were one of the least capable pillow talkers alive. It’s not even that you were a poor conversationalist. No, the simple fact is you fell asleep before your head hit the pillow, no matter who was in bed with you. You spent your days throwing your energy in so many directions—volunteering to weed and water your neighbor’s entire vegetable garden, painting unauthorized forest murals on abandoned train cars, burning down the dance floor (as they used to say)—that by the end of the day your body couldn’t bear to wait any longer to recharge. 

    HHL: Good to know you, Fox! If your friends were honest, they’d tell us they fear and love you in equal measure. In way-back-when Seattle, you dated a lovely, though passive, partner with a woodworker for a roommate. This person even had the gall to set up shop right outside the front door. The sawdust itching at your ankles was bad enough, but when the entrance became entirely blocked, you had no choice but to intervene. One afternoon, you walked up the porch steps, unplugged the table saw, grabbed the plank from the woodworker’s hands, and snapped it in half over your knee. You tossed the halves down onto the sidewalk without saying a word. The next time you came over, the front entrance was clear. 

    HLH: You’re no one but Dylan! And you just want everyone to have a good time, often to your own detriment. In one infamous (at least to you and your therapist) example, your 21st century alter-ego spotted an isolated individual at a summer party. You were about four beverages deep, yet you stepped aside from the game you’d been playing to approach the stranger. You walked just close enough to make out the title of the book they were reading, then veered away to acquire some relevant information from the Web. Though the book was of a dense philosophical sort and you were a math major, you weren’t deterred. Five minutes of researching later, you sat down beside the stranger on the lawn chair and asked why 999 plateaus wasn’t enough. 

    HLL: Hey, Maddie! As your friends’ favorite confidant, you have access to rare and valuable knowledge. In 21st century Seattle, you had dated everyone in the trans scene, whether personally or vicariously. One night, your friend divulged he was planning to reveal his feelings to his crush, who you soon deduced was none other than the Extrema Ballerina, known for their years of sweaty solo club dancing. This same dancer had spent four years shacking up with your best friend, and there was no end to the scintillating sexual stories you had heard. Your poor enamored friend, the ingenue, couldn’t know what he was in for. And yet, isn’t the mark of a truly great confidant is knowing when to keep one’s mouth shut?

 

Alix Perry is a trans writer living in Western Oregon. Their work has been nominated for the Best of the Net Anthology and can be found in Kissing Dynamite, The B’K, Rejection Letters, and elsewhere. Their chapbook, Tomatoes Beverly, is due out in May 2024. More at alixperrywriting.com.

Germ Plasm by Brody Parrish Craig

Hand sanitize my image in the bright screen of yr phone

X: Are you up?? Manic again??
Y: I just want to know yr ok
Z: How is it that you do that thing with your tongue??

Take the laces out my bookbind. Note the taste asymmetry.

A floral note of weeds in every garden.

Guard the door:                 [closed-inclosed-mouth-closedin-shutclosed]

Parenthetical bracket jam of doubt & oven

Catch the door on fire

                                                               When the smoke gets in your eyes, the toast will burn,

CHEERS TO YOUR REMEDY!

I toasted every specimen, poured out another storm, a cup, a bralette for infectious coin of mirror

in my pocket—turned out, empty, house of straws & shoe lace cut

Another empty metaphor for house: I saw the body burst.

Glass ceiling in the microscopic hand. Hand me down letters.

Dear sir, you owe us $3000 after copay for your jailing fee. Please write the insurance off with my left hand,

A DSM approaches you upon the sidewalk. When you cross the street, it’s god in your left shin

A crick and groan.

Another day we wasted on the hospital for dinner.

In the cafeteria, I flail another brand: queer coded miracle.

A tampon without strings is not a cost, is not a spectacle.

A body with germ plasm in the brand. A little tag inside the sweater itch.

A skill cell breeding skin cell in the cells and cellulite of hospital.

A fat thigh on the left eye in the drain, another toothpaste that I dreamed of.

The little cupped shampoo under your hand, a cheap pill bottle.

Take my body breaking off this land, another dandy root.

I took you up to every kitchen counter—tasteless, water comes.

Drink drank drunk as fuck along the river, I am swimming in
the days & hours coating every strand. A hairy root.

When I burn the bread like straw, the names come down on me like rain.
A Rumplestiltskin slurs along the current, names the shimmer.

Every orb you wept into the second hand—a tiny specimen.

A tearjerk of a film is not a scummy manifesto.

I taste the germ & plasm in my brand, an off beat miracle.

I know my body as a body once the lightswitchmoth.

When lightswitchoff, I am a lights out check along the door jamb.

Every hinge as color coded as my mouth. This asterisk.

An aster wrist to taste the constellations.

Star stuck to assigned, we meant the risk. We knew it well.

Anomaly of batter in the brain, a second miracle.

A Cake somebody left into the storm, a disco hymn & drum.

My ear is never listening for breakfast—only specimen.

An insect on the windowsill & tongue, a bug leaked in the skin, a transmitter & transplant of the ward-theward-theward

The Word. The Ward. The Wyrd.

WYRD?? ARE YOU OK??? TEXT ME BACK ASAP!!

I am writing, mother.

I am writing out the history of words, of cheap bait articles.

I click the smoke screen open with my tongue, I pop one button off.

My collar melts to candy in the glass of every church window.

A picture show of Jesus on the merry-go-round ride.
Mother Mary was a horse beat to the hoofs with every vacant inn.

A vacancy behind my click bait eyes. A eunuch’s burst.

I cut my body off mid sentence for the word, another label’s scrap.

I fed the dog my business in the mirror, caught a violent charge.

I unleashed each electron in my hand—nobody talked, just static.

A static image of another man, another woman, GIRL!

I know you didn’t say that over dinner.

Who gave you the right?

The upbringing of clavicle since birth, another bone to pick>>>>>>>

I less than three the trinity of verse, emoji’s fire risk.

I dropped a selfie in someone’s night stand. I break the curse words off.

I star the passage from my mouth that runs into the atmosphere.

I folded every heaven in my hand. A ginsberg’s angel dust.

A powdered sugar sentiment of south along the café’s crumb.

Do you know just what it means to leave like us? A turn the beat around.

A locomotive running in my hand, a train of thought announced
another train of stationary pad—a pen to write along.

A black ink in the shimmer in my figure of my burn & which
will I become from writing down

A spell of articles

Another omen rooting through the tongue

To find a cell in there

No sound alike the cover of a song

Another bedframe off

I taste the objectivity of mirror in the swarm

I taste the gentle kindness of the river in my mouth

A spit wad for the teacher on my tongue

I told you off again

And off again, I flicked another spite. Another sprite. A word

with you & you, the nameless vers—the unknown fire risk—

Germ plasm is my gender & my brand.

 

Brody Parrish Craig (they/them) is the author of the chapbook Boyish (Omnidawn 2021) and edited TWANG, a regional anthology of TGNC+ creators in the south/midwest. Their first book, The Patient is an Unreliable Historian, is forthcoming from Omnidawn Publishing in 2024.